Monteverdi Choir: Schütz Musicalische Exequien (2022)

[Jonathan Hanley, Hilary] Cronin, [Reginald] Mobley, [Alex] Ashworth, Emily Owen, Sam Cobb, Alison Ponsford-Hill, Iris Korfker, Graham Neal, Gareth Treseder, Chris Webb and Sam Evans ... demonstrated their skills in the range of spiritual and theologically pious mediation.

Monteverdi Choir: Berlioz L'Enfance du Christ (2021)

Gareth Treseder, a former apprentice with the choir, and Alex Ashworth, a mentor on the choir’s apprenticeship scheme, sang the minor roles with utmost distinction.

Monteverdi Choir: Bach's "Weinen, Klagen, Sagen, Zagen" BWV 12 (2018)

In famoser Deutlichkeit und überzeugend sprudelnder Gewandtheit wusch Tenor Gareth Treseder die „Pein“ schließlich.
[In the end, tenor Gareth Treseder washed away the “pain” with splendid clarity and convincingly bubbling dexterity.]

The Bach Pilgrimage of Sir John Eliot Gardiner at the Royal Chapel of Versailles (2018)

Gareth Treseder's tenor voice is assured when he casts it from the choir warning believers of the pitfalls that await them (BWV 70). The following air is very contrasted by the use of the three registers: heavy mechanism when he sings "get up! " Mixed when he evokes souls and head register for paradise ... his expressiveness overcomes, and... his voice is richly stamped on "Sing, jump for joy"

Monteverdi's L'Orfeo at Edinburgh's Usher Hall (2017)

...the beautifully blended shepherds of the opening scene...

Monteverdi Choir: Monteverdi's L'Orfeo at La Fenice (2017)

And here John Eliot Gardiner has a vocal ensemble... obtaining beautiful moments thanks to the voices of the shepherds, the contratenor Michal Czerniawski, the tenors Francisco Fernández Rueda and Gareth Treseder, and the wonderful nymph Anna Dennis.

Monteverdi's L'Orfeo at Salzburg's Felsenreitschule (2017)

The shepherds delivered gorgeous solos and ensembles, particularly tenors Francisco Fernández Rueda and Gareth Treseder and countertenor Michał Czerniawski.

Monteverdi's L'Orfeo at Berlin's Philharmonie (2017)

So wie das Orchester einen Expressionsklimax nach dem anderen fabrizierte, übersetzte der knackige Monteverdi Choir seine Reaktionen als Nymphen- und Hirtenschar, aus der Francisco Fernández-Rueda und Gareth Treseder in ihren jeweilig kolorierten Soli herausstachen...
[Just as the orchestra fabricated one climax of expression after another, the crisp Monteverdi Choir translated its reactions as a flock of nymphs and shepherds, from which Francisco Fernández-Rueda and Gareth Treseder stood out in their respective colourful solos...]

Monteverdi's Il ritorno d'Ulisse at New York's Alice Tully Hall (2017)

All the singing was characterful and intimate...The Pastore were a prime example - tenors Francisco Fernandez-Rueda, Gareth Treseder, John Taylor Ward and Michal Czerniawski.

New York Classical Review

Monteverdi's Il ritorno d'Ulisse in Edinburgh's Usher Hall (2017)

Gardiner gathered together a superb line-up of singers... The ensemble scenes were the most successful (including) the suitors Gareth Treseder, Michal Czerniawski and Gianluca Buratto.

The Scotsman

Monteverdi Choir: Monteverdi's L'Orfeo at Bristol's Colston Hall (2017)

The duets between the tenors Francisco Fernández-Rueda and Gareth Treseder ... added a sense of beauty and delicacy to the gloomy proceedings.


Monteverdi Choir: Monteverdi's Il ritorno d'Ulisse in Bristol's Colston Hall (2017)

The stand-out moment of ensemble were the trio of suitors (Gareth Treseder, Gianluca Buratto and Michal Czerniawski): the contrast between their sublime harmonies and the evil deeds they were singing about was deliciously ironic.


Berlin Philharmonic Orchestra: Stravinsky's Oedipus Rex, Berlin Philharmonie (2016)

Ashley Riches, Gianluca Buratto, Alex Ashworth and Gareth Treseder completed the line-up of outstanding roles.


Monteverdi Choir: Mozart Requiem, Cadogan Hall (2016)

Gareth Treseder's tender tone in the "Tuba Mirum" made a beautiful foil to the gravely serious bass of David Shipley.

The Telegraph

Monteverdi Choir: Carnegie Hall, Monteverdi’s L’Orfeo (2015)

In the Shepherds’ duet in Act Two, Andrew Tortise and Gareth Treseder blended with a fine attention to tuning that explicated the music’s piquant dissonances.

Opera News

Monteverdi Choir: Monteverdi L’Orfeo at the BBC Proms (2015)

Tenors Nicholas Mulroy and Gareth Treseder, bass David Shipley, and countertenor James Hall were strong dramatically and vocally as Shepherds and Spirits.

Seen and Heard International

Monteverdi Choir: Monteverdi L’Orfeo at the BBC Proms (2015)

Gareth Treseder, Nicholas Mulroy, James Hall and David Shipley produced some vivid and highly characterised singing.

Planet Hugill

Monteverdi Choir: Monteverdi’s L’Orfeo (2015)

Soloists Gareth Treseder, James Hall, and David Shipley were strong dramatic and vocal additions as Shepherds, singing with impressive cohesion

Bachtrack Ltd

Bristol Choral Society: Handel’s Messiah in Bristol's Colston Hall

Gareth Treseder had a pleasant voice and his supreme control in Comfort Ye set the standard for his other solos.

Bristol Post

Sherborne Chamber Choir: Bach's St John's Passion

…soloist Gareth Treseder certainly made the most of (his recitatives and arias).  His sense of agitation in the Part One recitative O Schmerz! (Oh pain!)…contrasted beautifully with the lovely expansive lines of the choral writing while his Schimpf und Spott (mockery and abuse) in Part Two was wonderfully intense.

The Fine Times Recorder

Collegium Musicum of London: Vaughan Williams' Serenade to Music

Four excellent soloists played a major part in the evening’s success...Gareth Treseder was the resonant tenor...

Monteverdi Choir: Bach Cantata Pilgrimage anniversary concert, Cadogan Hall (2010)

Welsh tenor Gareth Treseder brought out the emotional complication of the piece [Bach’s Nun Komm, Der Heiden Heiland], turning in a moment from anger to pleading…excellent.

The Telegraph